STUDIO

01 — NATIVE DIRECTING

Direct in
your own language.

No more English prompts for every shot. PUPA reads your direction in your own language, turns it into prompts for the video engines, and keeps the dialogue in the original language. In Korean it even understands screenplay format and on-set jargon.

02 — THE FILM SET WAY

The way
a film set works.

Script, storyboard, casting, shoot, edit — we carried the order of a real film set into software, built on the experience of working creators. Drop in a script and it flows from scene and cut breakdown all the way to generated video.

1. 01Script

   Scenes and cuts, split for you

2. 02Storyboard

   Frame and direction for every cut

3. 03Casting

   Same faces via the character book

4. 04Shoot

   The right engine for each cut

5. 05Edit

   One finished film

03 — AI CREW

An AI crew,
not a prompt box.

The AI producer, storyboard book, character book and studio split the work like a real crew. The director just directs; PUPA handles the prompts and the prep.

• AI Producer

  Describe it and it plans — then hands the work to the crew.

• Native directing

  Reads your script as written and turns it into engine prompts.

• Storyboard book

  Frames and direction for every cut, shareable as PDF.

• Character book

  Keeps the same faces and mood across every scene.

• Multi-engine shoot

  New video engines plug in fast; each cut gets the one that fits.

• Edit

  Join the cuts, add sound and subtitles, finish the film.

04 — CASTING BOARD · NEW

Your cast.
Everyone's film.

Create your own character and put it on the casting board. It becomes an actor with a locked face and mood, appearing in your films and in other creators’ films too. Every appearance is credited to its maker.

• Create a character

  Design looks, build, expressions and voice to make your own actor.

• Casting

  Pick an actor from the casting board and put them straight into the scene.

• Shared actors

  Characters you publish get cast in other films, and the credit comes back to you.

05 — LOCATION · NEW

Any place.
Any angle.

Pick a real place on the map, raise its buildings and streets in 3D, and make the scene from any camera position. For places no map shows — inside a bus, inside a room — build a set yourself. Once made, a location can be used in any film.

• Map locations

  Keeps the same space, anchored to real buildings and streets.

• Build a set

  Build interiors — buses, subways, rooms — as 3D sets.

• 3D cam walking

  Draw the camera path in 3D and shoot it as drawn.